Magda Szabó

Magda Szabó (October 5, 1917 – November 19, 2007) was a Hungarian novelist. Doctor of philology, she also wrote dramas, essays, studies, memoirs, poetry, and children's literature. She was a founding member of the Digital Literary Academy [hu], an online digital repository of Hungarian literature. She is the most translated Hungarian author, with publications in 42 countries and over 30 languages.

Magda Szabó was born in Debrecen, Austria-Hungary in 1917. Her father was an academic and taught her English and Latin. In 1940, she graduated from the University of Debrecen as a teacher of Latin and Hungarian. She began teaching in the same year at the Protestant Girls Boarding School in Debrecen and Hódmezővásárhely. From 1945 to 1949, she worked in the Ministry of Religion and Education.

She married the writer and translator Tibor Szobotka (1913–1982) in 1947. Szabó began her writing career as a poet, and in 1947, she published her first book of poetry, Bárány ("Lamb"), which was followed by Vissza az ember ("Back to the Human") in 1949. In 1949 she was awarded the Baumgarten Prize, which was immediately withdrawn when Szabó was labeled an enemy of the Communist Party. She was dismissed from the Ministry in the same year. 

The Stalinist era from 1949 to 1956 censored any literature, such as Szabó's work, that did not conform to socialist realism. Since the communist regime also censored her husband, she was forced to teach in a Calvinist girls' school until 1959. She wrote her first novel, Freskó ("Fresco"), during these years, and it was published in 1958. The novel tells the story of a puritan family coming together for a funeral and examines questions of hypocrisy and Hungarian history. 

In the same year, she published another book of poetry, Bárány Boldizsár ("Lawrence the Lamb"), and a novel for younger female readers, Mondják meg Zsófikának (translated into English as "Tell Sally ..."). Az őz ("The Fawn"), published in 1959, is a novel centered around an actress struggling to overcome a difficult, impoverished childhood. In this novel, Szabó effectively portrays the psychological, internal world of the modern woman. 

In 1961 and 1962, Szabó published two more novels for young women, Álarcosbál ("Masked Ball") and Születésnap ("Birthday"), respectively. Pilátus ("Iza's Ballad"), the story of a female doctor and her relationship with her mother, was published in 1963. Tündér Lala ("Lara the Fairy"), her 1965 novel, is one of the most popular novels for children written in Hungarian. In 1969, she published Katalin utca ("Katalin Street"), a realistic depiction of post-World War II life. 

Her most widely read novel, Abigél ("Abigail," 1970), is an adventure story about a young girl living in a Calvinist girls-only school in eastern Hungary during World War II. The novel's success resulted in a TV series produced in 1978; the novel was also adapted into a musical that premiered in March 2008. In 1971, Szabó began a series of autobiographical works that depict her family history. 

The first of this series is the short novel, Ókút ("The Ancient Well"), followed by Régimódi történet ("Old-Fashioned Story"). In 2002, Szabó continued this autobiographical series with Für Elise, a recollection of the author's life from 1917 to 1935. Today, this is one of her most popular works in Hungarian. In 1975, Szabó published a collection of plays titled Az órák és a farkasok ("The Wolf Hours"). She published two more dramas in 1984, Erőnk szerint ("According to Our Strength") and Béla Király ("King Béla").

Her novel Az ajtó (The Door) was published in 1987 and would become one of her most famous works worldwide. The novel revolves around the relationship between two women, a prominent Hungarian writer much like Szabó herself and her cryptic housekeeper. Claire Messud writes in the New York Times that reading The Door has completely changed her outlook on life, while Cynthia Zarin, a contributor to The New Yorker, calls it "a bone-shaking book." The Door was translated into English in 1995 by Stefan Draughon and again in 2005 by Len Rix.