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Sculpting in Time

254 pages, 1989

Takeaways
Description
Andrey Tarkovsky, the genius of modern Russian cinema—hailed by Ingmar Bergman as the most important director of our time—died an exile in Paris in December 1986 after achieving international fame with his 1962 masterpiece, Ivan's Childhood. Since winning the Golden Lion at the Venice Film Festival for that film, Tarkovsky's work has captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. Now, in Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood (1962), Andrey Rublyov (1966), Solaris (1972), The Mirror (1975), Stalker (1979), Nostalgia (1983), and The Sacrifice (1986).
The Power of Time in Cinema

In Sculpting in Time, Andrei Tarkovsky explores the concept of time in cinema. He believes that time is the most important element in film, more so than the plot or characters. It's a unique perspective that can change the way you watch and appreciate movies.

Artistic Freedom and Responsibility

Tarkovsky emphasizes the importance of artistic freedom in filmmaking. He argues that directors should not be bound by commercial pressures, but should instead focus on expressing their personal vision. However, he also stresses that with this freedom comes responsibility to the audience.

The Role of the Viewer

According to Tarkovsky, the viewer plays an active role in the film experience. He suggests that films should invite viewers to engage, interpret, and even co-create the narrative. This idea can make you see your role as a viewer in a whole new light.

The Spiritual Dimension of Film

Tarkovsky sees film as a medium with a spiritual dimension. He believes that films can help us explore existential questions and find deeper meaning in life. If you're interested in the philosophical side of cinema, you'll find plenty to dig into here.

The Nature of Artistic Creation

In Sculpting in Time, Tarkovsky also delves into the nature of artistic creation. He sees art not as a product, but as a process - a journey of self-discovery and self-expression. This perspective can inspire you to approach your own creative projects with a fresh mindset.

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Quotes 5

Tarkovsky's 'Sculpting in Time' is a revelation, a unique exploration of the cinematic art form.

Ingmar BergmanIngmar Bergman - Swedish Film Director

Tarkovsky's 'Sculpting in Time' is a profound journey into the heart of cinema.

Akira KurosawaAkira Kurosawa - Japanese Film Director

Tarkovsky's 'Sculpting in Time' is a masterclass in the art of film-making.

Martin ScorseseMartin Scorsese - American Film Director

Tarkovsky's 'Sculpting in Time' is a seminal work in understanding the language of cinema.

Francis Ford CoppolaFrancis Ford Coppola - American Film Director

Tarkovsky's 'Sculpting in Time' is a must-read for anyone interested in the power of film.

Steven SpielbergSteven Spielberg - American Film Director
Ingmar BergmanAkira KurosawaMartin ScorseseFrancis Ford CoppolaSteven Spielberg

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